This is the first book, in English, offering a comprehensive study of Sima Guang's career and thought.Politics and Conservatism in Northern Song China breaks new ground in the study of Northern Song court politics. Additionally, the writing style is lively and engaging. The adeptly translated quotations and the colorful anecdotes illustrate the main analytical points while maki...(展开全部)

This is the first book, in English, offering a comprehensive study of Sima Guang's career and thought.Politics and Conservatism in Northern Song China breaks new ground in the study of Northern Song court politics. Additionally, the writing style is lively and engaging. The adeptly translated quotations and the colorful anecdotes illustrate the main analytical points while maki...(展开全部)

Huizong was an exceptional emperor who lived through momentous times. A man of many talents, he wrote poetry and created his own distinctive calligraphy style; collected paintings, calligraphies, and antiquities on a large scale; promoted Daoism; and involved himself in the training of court artists, the layout of gardens, and reforms of music and medicine. The quarter century ...(展开全部)

Sir Reginald Fleming Johnston (1874-1938) was a colonial administrator and scholar with a lifelong fascination with China who was appointed tutor to the young Puyi (1906-1967), who became emperor at the age of two. Johnston was highly favoured by the emperor, receiving several imperial titles and residing in the Forbidden City. His account of his time as Puyi's tutor, Twilight ...(展开全部)

Mi Fu, one of the most celebrated figures in the history of Chinese art, was a prominent calligrapher in eleventh-century China. A member of the educated elite, or literati, he also contributed a great deal to discussions of theoretical issues of function and style in calligraphy, the primary means of graphic expression for the literati. In this book Peter Sturman examines Mi F...(展开全部)

Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Ellen Z...(展开全部)

Mi Fu, one of the most celebrated figures in the history of Chinese art, was a prominent calligrapher in eleventh-century China. A member of the educated elite, or literati, he also contributed a great deal to discussions of theoretical issues of function and style in calligraphy, the primary means of graphic expression for the literati. In this book Peter Sturman examines Mi F...(展开全部)

Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Ellen Z...(展开全部)

This volume focuses on changing marriage practices and kinship structures in a setting of interaction between the ruling elites and their Chinese subjects. The collection covers three major themes: the unique adaptability of steppe society in the face of threats to its politcal dominance; the way shifts in inheritance procedure (including rights of office) induce a radical shif...(展开全部)

During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequentl...(展开全部)